A world must make a stand. Generational Orchestration Director Phenomenal Mark used 30 seconds to flow.
Made entirely with AI. No crew, no location, no camera.
I produce films like this for people who need someone to see an idea before they’ll fund it.
I’m not just an AI creator who learned film. I’m a filmmaker who picked up a new medium.
Twenty years in production — editing, producing, directing. Music video, documentary, live events, brand work.
Film Clientele: Marsha Ambrosius · Radio
One · MC LYTE · Sony · Jill Scott · Black Girls Rock · The Wright Sisters ·
My background is the difference. Anyone can generate a shot. Knowing which shot, in what order, and how long to hold it is the part that took 20 years.
You have a concept. Build an audience for maximum leverage, and you find out faster what sticks and demands money.
A traditional proof-of-concept shoot costs more than most projects have before they’re funded. That’s the trap, use our system to CLOSE THE GAP!
I can close that gap in two to four weeks
THE PROOF — $8,000
30 – 90 seconds concept film. Enough to make someone lean forward.
- Concept development and shot plan
- Full AI production
- Licensed music and sound design
- One revision pass
- Delivered in 2 weeks
THE PITCH — $12,000
2 – 3 minute. Built to carry a room.
- Everything in The Proof
- Original score and voiceover
- Title and end-card design
- Vertical cutdown for social
- Delivered in 3 weeks
THE PACKAGE — $18,000
3 – 5 minutes, plus everything you need around it.
- Everything in The Pitch
- Full proof-of-concept short
- Three social cutdowns
- Key art and stills for your deck
- Delivered in 4 weeks
How it works
1. The call — 20 minutes
You tell me what you’re trying to sell and who has to say yes. I’ll tell you straight whether AI is right for it. Sometimes it isn’t, and I’ll say so.
2. The plan — week one
Look book, shot plan, and tone reference. You approve everything before a single frame is generated. No surprises at delivery.
3. The build
I generate, cut, score, and finish. You see a first cut with time to respond. One full revision pass is included.
Who is this for?
Good fit: producers raising for a feature or series. Agencies pitching a campaign. Brands testing a concept before committing a real budget. Artists who need a visual world before the tour, the album, or the deck.
Not a fit: anything needing a real person’s likeness or performance. Anything where the finished ad is the deliverable and it has to be broadcast-legal on day one. I’ll tell you on the call rather than after you’ve paid.
How GIANTS Falling was made:
Every prompt, reference, and generation from the festival film becomes publicly viewable after the deadline. You can check the work.
The full breakdown — the references, the prompts, the shots that failed, and how 30 seconds got cut from far more material than that.
One email. No sequence, no pitch.
Twenty minutes. No deck, no pressure.
Tell me what you’re building and who needs convincing. I’ll tell you what it would take.